June 20, 1987 [Withnail & I]
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But for a while, what fun it was to watch the two of them wander about, their tanks filled with various spirits, the single headlight of their Jaguar--so beat up that it seemed a parody of decrepitude, an emblem of the (hopefully) temporary poverty of youth--sometimes winking conspiratorially--or wincing--always on the verge of getting somewhere, there in 1968--and doesn’t every life have its 1968, no matter the calendar, standing on the end of a paved road, the tools in one’s own hands to keep building that road, but the route uncertain? I find my greatest, albeit most foolish, yearning is to be either ten or twenty again, the full-blown kid or the almost-adult to whom promises have not been made--just the promise of promises. And the poverty at twenty is like the riches of ten years old: nowhere to go, as the Beatles put it, oh that magic feeling.
But Marwood cuts his hair--and I know that moment, saw it just last year: one of my daughters’ friends was graduating; he had reminded me of Kris Kristofferson, right down to the beard and cascading hair and guitar; but a month or so before leaving college, he appeared clean-shaven and almost buttoned-down, ready to be the older man on the move with a new suitcase and a job and so on. Marwood goes through that same ritual, while Withnail stays behind--the better actor, one suspects, quoting Hamlet to open his palm and see the quintessence of dust he’s left to hold, his alone now. And I almost said something to him up there on the screen, almost tried some word of solace--but the rain it raineth every day, and he couldn’t hear me.
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