June 28, 1972 [Frenzy]
Frenzy is a good title for this Hitchcock movie: funny and horrifying, with cool observance of bestial acts and pity tempered by appetite, the wrong man a jerk and the murderer keeping it together--and the victims flopped around like broken mannequins, their sightless eyes looking away, their stiffening fingers cracked--and we want it, and Hitchcock lets us have it, more ferociously than Psycho--and almost as funny as The Trouble with Harry.
Now that he has an “R” rating to live in, Hitchcock’s house may become more haunted than I can take. When his necktie murderer closes in on one young woman, the camera backs away, politely leaves him to it. I know I’m supposed to be chilled as the camera moves into the street, where everyone bustles by--but what’s worse is that Hitchcock is so gracious about it, like a butler withdrawing from his master’s study, knowing his place, whether he approves or not.
Now that he has an “R” rating to live in, Hitchcock’s house may become more haunted than I can take. When his necktie murderer closes in on one young woman, the camera backs away, politely leaves him to it. I know I’m supposed to be chilled as the camera moves into the street, where everyone bustles by--but what’s worse is that Hitchcock is so gracious about it, like a butler withdrawing from his master’s study, knowing his place, whether he approves or not.
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