April 1, 1957 [The Incredible Shrinking Man]
The Incredible Shrinking Man turns its back on the urge to make the monster larger--mostly spiders and ants, but dinosaurs and other lizards have been spotted on the horizon--and simply--well, the title tells it all.
Or at least part. Richard Matheson’s novel isn’t completely forgotten, and so the shrinking man is more than a gimmick: He fears, rages and rebels against what’s happening to him--like adolescence in reverse, the body going its own way, literally tearing you up inside--and out. In the movie, Scott tries his best to adjust, to figure out how to dress and reach for things and just not look like a fool--until he’s less than a child, helpless and alone.
The movie works toward this moment of solitude, Scott in the basement, in a monster movie, the giant spider battled against with needle and thread, Scott in his tunic covered in black spider-blood, eating the stale cake. To accommodate its own ambitions, the movie adds a soliloquy--but it fits somehow: Scott’s narration gives us a little man with ambition--to survive--and it works because he feels he’s living long enough only to go out, like a candle. He is following his body’s new course--but it’s one he doesn’t understand, with a day and time for his death he can’t determine, as he shrinks into the sub-atomic, where “there is no zero”--and I once more succumbed to the melancholy triumphs of melodrama, and was relieved and even exhilarated when he tells us, the Universe wrapping itself around him--the one so big and the other so small we really can’t see either--“I still exist.”
All these science fiction movies coming at us must be making John W. Campbell and everyone who writes for and reads science fiction magazines awfully happy--or maybe nervous. They are a zealous lot, and jealous of their privacy--to work on their stories off to the side, pleasing themselves and each other, recruiting slowly but steadily. Unlike Scott, though, the drive-in theaters will only increase. When I lived in Riverton, I remember Richard Hollingshead in his driveway showing test films for his bright idea. When he opened his drive-in over in Pennsauken, he started something that came and went--but shrinking Scott and his titanic counterparts are bringing it back, all through the night.
Or at least part. Richard Matheson’s novel isn’t completely forgotten, and so the shrinking man is more than a gimmick: He fears, rages and rebels against what’s happening to him--like adolescence in reverse, the body going its own way, literally tearing you up inside--and out. In the movie, Scott tries his best to adjust, to figure out how to dress and reach for things and just not look like a fool--until he’s less than a child, helpless and alone.
The movie works toward this moment of solitude, Scott in the basement, in a monster movie, the giant spider battled against with needle and thread, Scott in his tunic covered in black spider-blood, eating the stale cake. To accommodate its own ambitions, the movie adds a soliloquy--but it fits somehow: Scott’s narration gives us a little man with ambition--to survive--and it works because he feels he’s living long enough only to go out, like a candle. He is following his body’s new course--but it’s one he doesn’t understand, with a day and time for his death he can’t determine, as he shrinks into the sub-atomic, where “there is no zero”--and I once more succumbed to the melancholy triumphs of melodrama, and was relieved and even exhilarated when he tells us, the Universe wrapping itself around him--the one so big and the other so small we really can’t see either--“I still exist.”
All these science fiction movies coming at us must be making John W. Campbell and everyone who writes for and reads science fiction magazines awfully happy--or maybe nervous. They are a zealous lot, and jealous of their privacy--to work on their stories off to the side, pleasing themselves and each other, recruiting slowly but steadily. Unlike Scott, though, the drive-in theaters will only increase. When I lived in Riverton, I remember Richard Hollingshead in his driveway showing test films for his bright idea. When he opened his drive-in over in Pennsauken, he started something that came and went--but shrinking Scott and his titanic counterparts are bringing it back, all through the night.
Comments
Post a Comment