September 14, 1937 [Les bas-fonds/The Lower Depths]
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjIBBWXgOwEYimoocGVD6h8kDt3REYnlVqVfQpWgmulvioLVCOF0QYmFiLeOZKId5ogcQBZzFBBtPEsW_ag0mntt7aBVCR4doBFFe8PrTefYipmJcok5raR_gLQ2L0YV1663UTLsY0Rsgc/s400/basfonds+snail.gif)
Jean Renoir's film, though, will not wait--and tries not to weep, as Jean Gabin and others--among them Louis Jouvet's insouciant "Baron"--stick out their Gallic chins and raise an eyebrow--and cock their hats to one side--to stare down misery, even smile a little, suddenly warmed by French charm--and more so, the French shrug, accepting the depths. Watching the Baron and Gabin consider the snail as they lay out there in the open field--a situation that usually does not forgive one for being poor--they see themselves inching along, and know they will continue--yes, in poverty, even that misery they try so hard to thumb noses at; but on they will go. I am appalled by the thought of it, the poor always with us; but somewhere in this movie is an unexpected poke in the thin ribs, and the rueful comedy continues.
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